Of course, Argentina started the war by invading the Falklands, over which it had disputed Britain's claim since 1833. You can't say they didn't wait long enough before taking action. And if Argentina mounted a military invasion, what could Thatcher do? She was compelled to defend the islands. The loved ones on either side who lost someone in that war must have been hard-pressed to understand why death was useful or necessary.
That wasn't Thatcher's concern. In a striking scene that takes place in her increasingly senile old age, she declares that ideas are more important to her than feelings. That seems to have been a governing principle in her life, allowing her to look with apparently limited concern at unemployment, hunger and homelessness on the domestic front. In "Shanghai Express," Marlene Dietrich utters the immortal words: "It took more than one man to change my name to Shanghai Lily." In a similar way, the Iron Lady seems to have been well-nicknamed.
Few people were neutral in their feelings about her, except the makers of this picture. They approach Thatcher as a figure in a time-honored biographical template in which a convenient fictional mechanism allows the heroine to revisit key chapters in her life so that we can understand that it was quite a life, indeed.
From her humble beginnings as the proverbial "grocer's daughter from Grantham," she began on the lowest rungs of the Conservative Party and never paused in her climb. Her ambition was unlimited, her strategy ruthless, her victims many of the male generation the Conservatives thought they were grooming for power. Was hers a feminist triumph? She herself seems hardly to have thought of it that way, and there are scenes here suggesting an emotional distance from her children and a marriage based on the self-effacement of her remarkably recessive husband (Jim Broadbent).
Was she a monster? A heroine? The movie has no opinion. She was a fact. You leave the movie having witnessed it. Whatever your feelings were about Thatcher were before you saw it, you now have some images to accompany it. Part of its failure may be attributed to the director Phyllida Lloyd, whose first feature also starred Streep. That was "Mamma Mia!" (2008), not a high point in Ms. Streep's career.
I witnessed Thatcher's extraordinary personal authority once. When Conrad Black numbered the Sun-Times among his holdings, he convened the International Advisory Panel of his Hollinger corporation in Chicago. Seated around a massive table were Lady Thatcher and assorted government officials, officeholders, pundits and academics from around the world. To give you a notion, one of them was Henry Kissinger. (I was back along the wall with other underlings.)
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